![]() ![]() But once I started combining the new simulation with the expanded custom settings, things got interesting: there seems to be a built-in tone curve in Acros that holds up much better once you start tweaking those in-camera settings. In a side by side comparison with the older B mode, I first had to admit the differences seemed rather subtle-at least for the subject I was shooting. I've always had a custom black and white setting on my X-Series cameras, boosting both highlights and shadows to create more contrast, so I was very curious to see what could be achieved. According to Fuji, the simulation "produces smooth tones, deep blacks and rich textures that are far superior to conventional monochrome modes". My first reflex was of course to experiment with Acros. Where previous cameras offer a range of plus/minus 2 on all settings, the X-Pro2 now includes varying intensities. What I didn't expect were expanded image controls, allowing us to customize our files even further. I already knew the Acros black and white film simulation would be introduced with the X-Pro2 and was looking forward to seeing the results. I've published and printed and delivered JPEG images. It may be anathema to anyone who considers raw the only serious image format, but I ditched the raw-only dogma when I switched to Fuji cameras five years ago and never looked back. This is where the company's personality shines through-the introduction of Classic Chrome a little over a year ago made this abundantly clear. What at first seemed like a gimmic on the original X100 has, in my opinion, proven to be a significant feature. Here are some images I shot using the camera for the first time at a wedding:įujifilm pride themselves on their film heritage, something that's always been evident with the film simulations included in the X-Series cameras. Luckily, Fujifilm have included a new lossless RAW option which yields RAW files approximately 50% smaller (and I can’t notice any difference in the data or quality of the RAW file). The new sensor obviously creates large RAW files.I like to shoot in AV mode quite often and I can now use exposure compensation to +-5 ev.Some of you may not immediately find the ISO selection tool on the top dial easy to use – but believe me, give it one shooting session and it becomes natural.I’ve become addicted to the Acros film simulation.Even though the new sensor is 24.3 MP, Fuji seem to have worked marvels on the low noise algorithm and it’s good to be able to shoot RAW files at 12,800 ISO now too.Robust, weather resistant body meets the needs of professional photographers.Īnd here are a few other details that I have personally found very appealing whilst using the prototype:. ![]() New focal plane shutter with a top speed of 1/8000 sec.The world’s first Advanced Hybrid Multi Viewfinder offering the benefits of both optical and electronic viewfinders.New high-performance X Processor Pro image processing engine.Newly developed 24.3MP X-Trans CMOS III sensor.This is possibly a good time to interject with the relevant technical details of the new camera: This image is totally untouched and straight from the camera using the B&W+R film simulation But what, perhaps might be more interesting is the fact that this image is shot at 12,800 ISO.
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